Bethany Johnson - “Down by the Willows”

Bethany and Dallas Johnson made a record of my song “Down by the Willows” which I’m eager to share with you. I’ve known these people for over half my life. In fact, Dallas was running sound for the open mic I made my first performance at in the basement of the Purdue Student Union. Bethany played violin on an early recording of this very song which Wes DeBoy made for us in Muncie, Indiana.

Later, Dallas and Bethany were married and would invite me to their Music Sunday gatherings at the Greene’s where I would learn their songs. Sometimes Benjamin Ezra, The Sears Tower of Folk Music, would be there too. I have warm feelings associated with those memories.

Dallas mixed most of my first album In a Whelming Tide and engineered my second album Living Is Trying.

I heard Bethany and Dallas perform “Down by the Willows” in the side room at The Black Sparrow. It shone like a diamond in my mind. That was back before kids and careers.

Then I started this label Late Bloomer as a home for other people’s sound recordings of some of my compositions. Naturally, Bethany and Dallas were among the first people I thought of to ask to record. They shipped the kids off to Wolcott for a the weekend and invited Andy Dommer and Caleb Benner over to play bass and drums. Caleb played bass on Living Is Trying if you’ll remember.

This family has been interwoven in my life for years and I’m pleased and proud to present this recording to you. It’s a big part of the sound of my youth and now my new adulthood and it feels like home.

Hell yes. Please enjoy.

-John

"Left Arm" by Steffen Prentiss Yazvac

LISTEN / DOWNLOAD: bandcamp / iTunes / Spotify / Amazon / youtube

On January 26th, 2021 I released “Left Arm” again. This time it’s Steffen Prentiss Yazvac performing it (please follow him). It’s percussive and Steffen took surprising liberties with the phrasing. His singing, which has always been dynamic, hits a new level here. It’s satisfying to hear Steffen’s take on this song because of our collaboration on Living Is Trying. I presented the idea of that song being the opener on that album and described how I wanted it to sound. Steffen understood it and made it sound just like I had it in my head. That’s been our working relationship since we were kids.

A while ago I started thinking about what other forms I’d like to see some of my songs take. I had some memories from the road of playing songs my friends had written. A “friendship covers” album had always been in the back of my mind. I even started recording some with Steffen once. I decided it would be a good start to ask some of my friends to come up with a recording of one of my songs that resonated with them.

I’m proud of this song and how it’s grown. I feel proud of Steffen as my friend for taking something I made and making it his and making it better. The production is superb. Steffen used a new analog synthesizer and the tone reminds me of a trombone on some parts. His drumming and bass playing dance closely together. The guitar playing oscillates between rock strumming, staccato picking, and delicate grooving. All well placed. Dallas Johnson provides the breaths between on the electric piano.

I hope you enjoy this many times over like I have.

-John

Toss Your Javelin

Toss Your Javelin has been germinating for years. The third long playing album by John Davey is a collection of maxims and self-injunctions set to memory evoking melodies.

A black and white photo taped to a wall in Kansas City, the spiny ridge along Chimney Tops in Eastern Tennessee, the train station platform in Lansing in the dreary rain, neck craned to see the parade down Washington Street on the 4th of July, mammoth Ore Boats chugging in and out of Upper Harbor from all over the Great Lakes. This collage is the running start which throws the weighted dart.

”Lower Tiers” is the centerpiece of the album. Its arrangement borrows pages from The Great American Songbook, seeking common ground with 20th century greats Irving Berlin, Paul Simon, and Randy Newman.
The bookends of the album are the newest compositions, “Q” and “Boreal Lullaby”, both fruits of a tree transplanted. “Q” is the disentanglement of overlaying personalities and the proper identification of a newly emerging self. “Boreal Lullaby” is both old and new. It’s the hymn we hummed in church. It’s the subject of a trial, a lamentation, a psalm.
”Hard Times, Strong Men” is the outlier. Pulsating and fuzzy and rhythmic. It’s Jules Vern, Robert Louis Stevenson and George Harrison at a game of craps. Harrison rolls snake eyes. A prophetic warning. A new archetype.

Toss Your Javelin was crowdfunded by 134 generous supporters.

Songs, guitars, and vocals by John Davey
Production, mixing, and arrangement of a variety of instruments performed by Shane Leonard in Eau Claire, Wisconsin
Mastered by TW Walsh in Boston, Massachusetts
Engineering by Evan Middlesworth at Pine Hollow Audio in Eau Claire, Wisconsin
Basses by Jeremy Boettcher
Piano and other keys by Joshua Gallagher