Several years ago I read an article by legendary mastering engineer, Justin Colletti, called Feeding the Machine (it’s long, but worth the read if you’re into that sort of thing). In it, he makes the case for returning to the method of releasing a lot of singles since at the dawn of the music industry, the whole apparatus was kept afloat by a tidal wave of singles, some of which “stuck” in the public consciousness, some of which didn’t. It was one of those paradigm shifting moments for me. I had friends that released singles on occasion, but my heart and mind were really with LP’s. It was the format I knew and connected with so well that doing anything other than that rarely even ever crossed my mind. However, Colletti made such a good case for the regular release of singles, that I’ve carried this concept around in the back of my mind for years, telling myself that when I ever get to the right moment in time and circumstance, I’d begin to do just that.
I happened to read Feeding the Machine at just the moment in time where my years-long road dog experiment was winding down. I fell into one of those chaotic in-between seasons, which happened to last for a few years longer than I expected. There was some upheaval in my relationship with my family, my living circumstances changed, my trusty Ford Escort finally kicked the bucket, I moved from one day job to another, learned a ton of classic country songs, got another car, moved to Tennessee with only a foggy picture of wanting something better and more, worked more day jobs, released a really cool record, fell in love with a girl who lived across the country, packed up and moved again, started adjusting to life in a way different climate and culture, began cultivating this life-long relationship, had a really cool, tumultuous band for a year and a half, played some shows, changed jobs again, got married(!) and finally life seems to be smoothing out a little. I’m out of choppy waters and aimed across a stretch of time fully supplied. That whole time, this little idea of regularly releasing singles kept twirling and dancing in the back of my brain and occasionally suggesting itself to me. Now I’m in a period where I actually have the time and resources and people around me to make it happen in a meaningful way that is satisfying to me creatively and that I can make work for me in a financial sense.
Working with audio engineer Peter Gummerson of Rivulare is a key part of this whole enterprise. He’s a cool guy with a great method who puts his money where his mouth is. We’ve worked really well together so far. I’m also excited to get my drummer Bud from my band The Ancient Urge back on board with me. Bud is a deep well, has a composer’s mind, and is great to bounce ideas off of, not to mention he handily plays numerous instruments and is therefore a treasure trove to tap for anyone in my position. Harold South is a really busy, very serious bass player who’s been making a living off of performing and teaching music for years. I’m getting to know Harold still and I’m excited that he’ll be part of this attempt at feeding the machine. I’m sure the revolving door will keep spinning and I’ll introduce other interesting characters (musicians, visual artists, audio engineers) as we go forward and get more songs in front of you all.
Thank you for joining me and for lending your eyeballs and earballs to this ongoing project.

-John Davey